Gulf Gothic: Mexico, the U.S. South and La Llorona’s Undead Voices
Dolores Flores-Silva
Keith Cartwright
Gulf Gothic examines haunted, secret-laden narratives that emerge from the gulfs between peoples all along the Gulf of Mexico and on both sides of the Rio Grande. The Gulf is presented as a unified region and as dynamic ground zero of North American (and global) cross-culturality and traumas.
Anthem Press (November 1, 2022)
LONDON • NEW YORK • MELBOURNE • DELHI
88 pages
Reviews
“American literature starts here’, Flores-Silva and Cartwright write, where an American gothic originates in response to the violations of Euro-settler colonialism and where presumably ‘impassable gulfs’ become passages binding the living to the undead, where La Llorona, her origins deep in prehistory, haunts the present. A fascinating and generative study”
— Barbara Ladd, Professor of English, Emory University, USA.
“Every scholar working in southern literary studies right now should read this book. Cartwright’s and Flores-Silva’s scholarship is exemplary, and every comparison they make is compelling. Moreover, Gulf Gothic serves as a model for how collaborative authorship can shape critical inquiry of the future. I predict that this work will become a watershed moment for the field”
— Gina Caison, PhD, Professor of Southern Literature, Georgia State University, USA; President, Society for the Study of Southern Literature, 2020—2022, author of;Red States: Indigeneity, Settler Colonialism, and Southern Studies (UGA Press, 2018).
“Gulf Gothic demonstrates that Gothic and undead modalities are not sequestered in old dark British and European houses only and offers a new and wide-ranging map of transcultural crosscurrents in all their insurgent, resurgent, uncanny, Gulf-borne power. All this and more, in lucid and often lyrical prose. I couldn’t put it down!”
— Eric Gary Anderson, Associate Professor of English, George Mason University, USA.
“Gulf Gothic dives into deep time and leaps the border walls of nation-states and national literatures alike. Dolores Flores-Silva and Keith Cartwright — leading scholars of Latin American/Mexican and US southern/African diasporic literatures, respectively — are our expert guides to how ‘the shores of the Gulf of Mexico’ come together as a ‘cross-cultural ground zero’. Flores-Silva and Cartwright focus particularly on variations of the ‘gulf gothic’. Moving beyond discreet models of ‘southern gothic’ and ‘tropical gothic’, their gulf gothic ranges from indigenous tales of La Llorona, via the plantation racial dramas of Faulkner and Fuentes, to the twenty-first century huracán novels of Fernanda Melchor and Jesmyn Ward. A compact, provocative, and genuinely comparative — as well as connective — study.”
— Martyn Bone, Associate Professor of American Literature, University of Copenhagen, Denmark, author of Where the New World Is: Literature about the U.S. South at Global Scales.
“Dolores Flores-Silva and Keith Cartwright present a culturally distinct Gulf of Mexico, expertly weaving texts and textualities across languages via the haunting presence of La Llorona. Gulf Gothic features all the hallmarks of great scholarship — creativity, accuracy, and expansiveness. A riveting read, this foundational work is sure to inaugurate a field.”
— Taylor Hagood, coeditor of Undead Souths and Professor of American Literature, Florida Atlantic University, USA
“With deep historical and geographical sensitivity, Dolores Flores-Silva and Keith Cartwright give voice to the dead and undead inhabitants of the Gulf’s interconnected bioregions, and in doing so, they provide fascinating insight into the darker reaches of our transcultural past, precarious present, and troubling future.”
— Robert Azzarello, Professor of English, University of New Orleans, USA.
“Cartwright and Flores-Silva conjure up a magical and illuminating portrait of a Gothic Gulf, mapping a cultural realm most have not suspected. Anchoring their arguments in indigenous history, agricultural patterns, and religious iconography, they reveal the role Latinx — and particularly Mexican — cultures have played in shaping our current hemispheric imaginary.”
—John Wharton Lowe, Barbara Lester Methvin Distinguished Professor, Department of English, University of Georgia, USA.
Miguel Angel Cime Ku
Conkal, Yucatan, Mexico
We extend our gratitude to the cover artist, Maestro Miguel Angel Cime Ku, for his evocative vision of La Llorona.
